Change of Plans

Clearly, my inner artist has been growing more confident with my time spent in studio this summer and she was not to be denied LOL. I have a lot of available space in my bedroom and so with a little shift in layout, the winter studio has been set up!

Took down the california shutters on the big window, plunked my table right in front, bought some flexible floor lamps with daylight bulbs in them, rearranged the furniture and we're good to go. Touille, my calico longhair aka the boss, was a little unsure with all of this activity but has given her stamp of approval now that the dust has settled. And she's behaving herself as far as painting etiquette goes, though anyone familiar with cats knows that could change at a moment's notice. For now she gets to come and go freely when I'm painting. 

With the change in location and season I'm already noticing some differences in my practice. Winter is just around the corner and with ever diminishing light a reality, I'm finding late morning or early afternoon is usually when I'm drawn to create. But every now and then I find myself called back in the evening, to play around some more. And I like that!

New Season

Fall is definitely upon us! Cooler temperatures for the past few weeks have forced induced me to alter my studio time. No longer can I head out there first thing in the morning - well I can but I'm not a happy camper being out there LOL. 

I do have a space heater but that necessitates me closing the garage doors in order to be effective, and I'm loathe to give up the light just yet. So I am starting to make a plan for when I finally have to close my little haven down and relocate inside. A list, because I love lists, of things such as what art supplies need to be stored indoors (mostly just paint and mediums) and what kind of art do I want to make until I can get back into my studio. I know in my head it makes perfect sense to spend the winter working on my ancestry, and I'm sure I'll embrace that once again when it's time but the painter in me isn't ready to give up the reins just yet to my more pragmatic side!

In the meantime, here's a sampling of some of the pieces I've worked on since my last posting. Oddly enough, I've gotten back to my watercolour roots in recent weeks. Wasn't expecting that but I'm delighted that it happened. It's also got me dreaming of working on full sheets of paper which is huge, both physically and philosophically for me. Scary and exciting all at the same time!

Siddall Road (c) Susan Langdon aka Nukiart
acrylic on 12 x 12 in canvas panel

Cosmic Duet (c) Kate and Susan Langdon
mixed media on 12 x 16 in paper

Southwest (c) Susan Langdon aka Nukiart
watercolour on 12 x 16 in CP paper

My Second Process Post

I do love how something can be nothing until all of a sudden it isn't anymore. The following piece started off with no specific intention other than waiting for it to tell me what it wanted to be - and apparently that was some post apocalyptic hell hole! Definitely not on my mind at the beginning LOL. 

So it started with some mark making with charcoal on paper.

Then I added some paint in an analogous scheme of predominantly yellow with some blue and green added.

Wasn't really excited about that so I threw in some white spotches for some relief and smeared some of them around.

Not sure where to go from here so I put it aside for a day or two to 'ponder'. Of course, that led me to the other day when I decided it was the day to make a bold move and transparent orange was on my palette LOL. So first I turned it upside down, decided on a high horizon line and glazed the top half. All of a sudden there was excitement! 

I loved that you could so clearly see the previous layers but in a whole new way. So I wanted to glaze the lower half with blue. I chose prussian blue rather than the previously used phthalo blue which gave it the much darker look. This immediately made me think of the wildfires we have been seeing in the news with sadly increasing regularity. Hellhole was the first name that came to mind but I'm not sure if that will stay its name, yet.

Hellhole - mixed media 11 x 15 inches on paper
(c) Susan Langdon aka Nukiart

Thoughts from the Studio

Still relishing my new studio space - it's a rare day indeed when I'm not out there for at least the better part of the morning. What I like best is that I seem to have successfully granted myself permission to play and learn while I create. Gone is the entirely self imposed expectation that everything I do must be 'good' - something, that if I chose to show other people, would not be embarrassing to me. It's been a long battle, that one, but so freeing to have achieved!

To set the stage, I usually have 3 or 4 pieces on the go at once, in varying stages of 'doneness'. This allows me to keep the creative flow going while I'm waiting for a layer to dry - yes, patience is a struggle and this really helps LOL.  I had already decided that yesterday was the right time for making 'the bold move' a la Tara Leaver's wise words. Then I decided to work with a colour that I don't normally use - a confident, bold orange created by mixing primary magenta with hansa yellow medium. 

I painted a ground of bright aqua green mixed with a smidge of phthalo blue. On this I outlined several circles of varying sizes that would then be painted orange. Of course, the orange over the aqua background dulled the colour down considerably so I needed to paint the circles white before they could be orange. Here the large circle is orange on top of aqua whereas the two smaller ones were painted white first, then orange. Not sure yet where this will end up!

While I was waiting for layers to dry I started eyeing some of the other pieces I had on the go and decided to spread the orange to them as well. Because this mixture is quite transparent, it acts more like a glaze enhancing the underlying work. It certainly breathed new life into one piece and showed potential for a whole new direction in another. I think I'll save that for another post though as this one has gone on long enough and it's time to head to the studio!

Update: threw some more paint at it and have left it here for now.

Major Change - New Studio Space

I've long held to the nagging suspicion that I was getting in my own way creatively - that the art within me was constrained by the space I had restricted myself to work in. So I decided to put myself to the test this spring. 

After researching as many viable options as I could think of I decided to move my art space from my desk in the front room out to the unused half of our garage. Bought an inexpensive rug to protect the concrete from spilled paint, had my favourite carpenter hang a sheet of painted plywood (with an added on ledge) on the wall, bought a portable 6 ft table and started moving my art supplies out there. A small investment in time and money to see whether or not I had been fooling myself.

 Best decision, Sue! I'm now 6 weeks into my new studio and have learned and played and created more over that time than I have in the previous 2 years. I love the physical 'stepping out' into my work space. I've already added some additional mobile storage and will plan on investing in a small portable heater when the time comes so that I can extend my studio time as late into the fall as possible. Also a rolling desk chair so the upholstered Queen Anne can be retired to the basement once again!

Between the side window and open doors, I'm happy with the amount of light. With the surrounding trees the studio stayed comfortable even through this most recent heat wave.