Learning From Others

I do like doing studies of other artists' work. I find an image that appeals to me and then try and dissect how they achieved it. Sometimes it works out and I'm pleased with the results and I file the technique away in my mental toolbox. Even when it doesn't work out, I usually learn something valuable along the way or maybe go off on a completely different tangent. It's similar to mixing colours for me - I see a hue I like and then try to see if I can replicate it using what I have. 

That's what prompted this little study. I had seen the image on p interest and was immediately drawn to the bold colours and clean lines. First thing I learned - drawing precision and perspective is key! It's really not noticeable to my eye here on screen but in my hand I can see the left side of the biggest house is not quite right.

Study of Cathy Horvath's Fall Lodge Folk Art

I decided to start out in my usual comfort zone of working small, my natural inclination, so this was drawn on 5 x 7 watercolour 140 lb paper. I don't have much experience with, nor confidence in, my ability to handle reflections so that was my first worry. I decided to include them in the initial drawing, that way I wouldn't get it all drawn and painted and then screw it up with horrible water lines LOL.

I then decided I much preferred the square format so I taped it off at 5 x 5 inches. The colour was added using water soluble markers - some full strength, some watered down before applying. Yes, if you look really closely you will see some small blooms where impatience got the best of me sigh.

I don't think I will try another one but if I did I might choose to work in acrylics.  

What I Did on My Summer Holidays

Fall is officially here - one of my favourite seasons. I truly can't decide between spring and fall. My favourite seems to be whichever is happening at the moment! So for now Fall is it!

I have been spending my summer, at least artistically, by trying new things. New techniques, new colours, new media. And that will definitely be continuing on for the rest of the year. Some days I have to really make myself slow down and just focus on what I'm currently doing and not go haring off in six different directions. Here is some of what I've been working on.

The first is a second take at doing a study of one of Carol Nelson's gemstone series. This time I started with a black gesso base and built multiple layers up from there. While I'm reasonably happy with the results, I don't think I will be moving on with it to do any of my own pieces. At least for now. 

Next up is an abstract that I worked on over the entire summer, letting it speak to me when it had something to say. And let me tell you, when it came to putting the realistic chains in, it spoke very determinedly. I don't know specifically what it was saying but rusty chains, along with the ghost image in the bottom right corner were a must! My inner child can be so bossy sometimes LOL!

This last piece is a WIP abstract currently on my easel. It's acrylic with some underlying gesso texture. This version started out as a study of a piece I'd seen on P interest but then the bright blue poppy seedheads showed up so who knows where this will end up. Certainly not me since the plan when I first put paint to canvas  was to do an abstract version of our local river. There's also a bear under there somewhere too.

I won't know when it's done until it tells me it is - I just wanted to capture it here in case it looks nothing like this when that day comes LOL. 

2017

After many long months I have emerged from my hibernatory period LOL!

Spring is truly such a time of new growth bursting forth and my own creative impulses seem to be following suit. I recently had lunch with my forever painting buddy and was so inspired by her adventures into new areas of art. We started in watercolour together over a decade ago but she has put me to shame with her progress in acrylics and just general overall realization of herself as an artist. I am my own worst critic and obstacle so it's time to get out of my own way!

Abstraction and acrylics, well more mixed media, have been whispering to me for quite some time. I have been perusing various online sources for some tutorials in working in this new arena. Colour is still the first characteristic I respond to then followed by lines/shapes. I can break out into much bolder colours with acrylics and I have so much to learn. I've been working on a piece that is a study of a fantastic Colorado mixed media artist Carol Nelson. Her work makes we want to reach out and touch each piece. I'm trying to figure out her journey via trial and error just from observing a 2 dimensional image of her work. Not ideal but it challenges me and I like that. The point is also not to replicate her work but to discover my own path through the study of hers.

Unfortunately, I didn't scan the beginning stages (bad Nuki) so this is midway through what I think will be the process and the point where I'm at today.

Rock study - interim 

This is done on 8 x 10 inch paper but my next attempt will be on canvas and will be a design of my own.

Project Completed

I purchased this really neat picture frame sometime last year and knew I wanted to use it to display my own work. It's a system where 16 8x10 inch frames are joined together to form what looks like a mullioned window. I was just waiting for the right piece to go in it.

Then John Lovett, a brilliant Australian artist whose work I just love, posted a piece of his recently that sang to me and well, I had to attempt a study of my own. My version was painted as a 5 x 7  and then with the magic of technology I was able to scan it, enlarge it and print it out into a 16 8x10 grid. And this is the result. I'm pretty chuffed with the results as it now hangs above the gorgeous table Taylor Made custom made for me earlier.

My study of a John Lovett piece for my own personal use

Notes to self - in case I try this again with another piece, be careful where the centre of interest is placed. Unfortunately under one of the mullion bars is the majority of a brilliant orange red clump of foliage that is stunning with the turquoise of the water. Too bad most of it doesn't show now that it's in the frames. 

Another Study

my watercolour study of a Carl Purcell original

This is a study done of the art on the back cover of Carl Purcell's book - Your Artist's Brain. 

Unfortunately, the colours in this image are less saturated than in my original. The roof on the building near the upper right corner is a light blue- grey in reality but looks totally washed out here. Oh well. 

I'm relatively pleased with the perspective of the buildings. The wonky stairs up from the harbour could benefit from a sturdy railing LOL. Also,the darks could stand to be a bit more balanced, mostly in the foliage in the lower left hand corner. If I go back and fiddle with it, I'll add i here.